Fender Telecaster · Sendero Luminoso (1982)
Original knob values: unknown. Numerical suggestions await further version and control references for this item.
Check the era, documented model and limits
ARTIST / 17RAGE AGAINST THE MACHINE — RAP METAL / ALTERNATIVE
Tightly cut low-D riffs and dramatic pitch changes driven by precise rhythm.
Drop D riffs · Whammy lead texture
MATCH THE HARDWARE FIRST
This path references the 1982 Telecaster, 50-watt JCM800 2205, GCB95 and original WH-1. Do not treat a 2203, 2204 or Whammy V as identical hardware. The complete loop order remains unresolved.
Equipment basis and value provenance are separate. Suggested values for matching hardware are still not verified artist settings.
2019 The Atlas Underground tour · artist’s rig rundown
Original knob values: unknown. Numerical suggestions await further version and control references for this item.
Check the era, documented model and limitsOriginal knob values: unknown. Numerical suggestions await further version and control references for this item.
Check the era, documented model and limitsOriginal knob values: unknown. Numerical suggestions await further version and control references for this item.
Check the era, documented model and limitsOriginal knob values: unknown. Numerical suggestions await further version and control references for this item.
Check the era, documented model and limitsThe article’s pedal list does not establish the complete order inside the loop.
The guide’s post-amp wah/pitch placement is a proposal; song-specific engagement also needs evidence.
Routing evidence ↗The substitute path provides a full simplified chain and suggested values for alternative gear.
DOCUMENTED USE
Confirmation applies only to the stated era and claim. It does not validate a complete recording rig or our modeler presets.
The rundown identifies his 1982 Telecaster for drop-D songs.
His main amp is explicitly identified as a 50-watt JCM800 2205.
The pedal list names a GCB95 Cry Baby.
The rundown identifies an original WH-1.
This is a different generation from the Whammy V reference photo.
The article’s pedal list does not establish the complete order inside the loop.
The guide’s post-amp wah/pitch placement is a proposal; song-specific engagement also needs evidence.
These sources do not establish our complete numerical guide as the artist’s actual settings.
Suggested values are starting points, not verified original recording settings.
Account / record by: Tom Morello
Period / original record: 2019 · Published: 2019-02-13 · Source reviewed: 2026-09-13
Reference photos are separate from evidence of actual use. See photo credits for the original images and reuse terms.
Start with the connections. Guitar → modeler INPUT → headphones or FRFR. Use both amp and cabinet simulation. For a physical guitar speaker, disable cabinet simulation and adjust the output mode.
The proposal fits within HX Stomp’s eight-block count. Actual DSP use still needs testing; omit optional modulation if necessary.
Tone and gain values are normalized 0–10 starting points. If the device uses a different range, begin at a similar proportion; this is not an acoustic equivalence. Time, frequency and mix retain their shown units. Leave unlisted parameters at defaults.
A JCM800 / Plexi-style approximation of the two-channel 2205. Post-amp effects form a simplified loop-style proposal.
Assign EXP to Position, Heel 0 to Toe 100. Bypass wah for riffs or introductions that do not need it. HX Stomp, QC and GT-1000CORE need an external expression pedal.
BYPASS for riffs. Assign EXP to Position 0–100 for unison to +2 octaves in the solo. Connect an external EXP to QC / HX Stomp.
For headphones / FRFR. Cabinet choices are tonal alternatives, not necessarily the original touring speakers. If QC lacks the cut filters here, use a separate Low-High Cut block.
An editorial ambience suggestion, not evidence of use on a recording or tour.
Model names based on Helix 3.80
Official model / parameter documentation